I am a maker, sister, nature lover, object composer, impatient rover, and a hungry Honduran soul that roams for things, moments, feelings, poetry, music that feeds my soul. I am invested in making because I see it as my spiritual and religious practice, I connect to my higher purpose on this earth through the creative and stiffed processes. 

There is an interconnection between humans and nature. Though humans tend to work against nature, ultimately we cannot deny our part and role in the natural world as we are born from it and, upon our death, we return to it in a cyclical pattern. My art follows this concept; it follows the flow of nature, allowing the nature of the object dictates the form and direction of itself. I have a desire to reflect my concerns regarding memory, time, and community sentiment. My work is about creating with constant shifting materials and evolving practicing mechanisms for healing through the making process for resistance, independence, and the self-acknowledgment.  I am interested in the self, in its spiritual evolution, and the social-political questioning that comes from being a human being. 

Nature fluently mirrors geometry by mimicking shapes and patterns, creating a universal defectless visual language of how the imperfect can also approach perfection. From an organic perspective, the natural can be explained through the way organisms effortlessly grow and bloom.  Exploring this concept, I use geometry to create functional and sculptural art jewelry pieces as a way of supporting my abstract influences. Each piece is highly tactile, with a vision to create something that serves as a pedestal for nature and its beautiful uniqueness along with a desire to communicate its trajectory. My process emphasizes on the actual process of exploration rather than subjectively looking for a final piece.  Collecting objects is crucial to my journey; each object has a spotlight that shows how the earth expresses itself in each element and how it embedded its original memory onto a new surface. Collecting, in other words, is a way for me to admire and thank Pachamama for her endless abilities to share memories flooded with poetry.  My inspiration comes from the interconnections of all the living necessities and the cyclical nature of life. I use my hands to work and to connect with the body and soul by finding forms that adorn the body while highlighting the main source of the material.